Cozy Gothic Humanity: Tea & Alchemy by Sharon Lynn Fisher

Tea & Alchemy, Sharon Lynn Fisher (Instagram)

From last week’s post:
I hope to write here soon about Tea & Alchemy by Sharon Lynn Fisher. Another Shane East performance with Marisa Calin (they also narrate Kerri Maniscalco’s Prince of Sin series–“Think Bridgerton in Hell”–also among my favorites, see 31. Throne of Nighmares), this slow burn, low spice, heartwarming love story between a reclusive, benevolent ‘alchemist’ and a budding tea leaf reader points to all the ways we humans reject and harm one another by default, and how we can choose openness, generosity, kindness, and compassion to overcome those destructive tendencies and make a better world. I have connected with Sharon Lynn Fisher herself, and hope to interview her about the story’s inception and evolution, and what she wishes for the characters and us readers from it.


Thank you, Ms. Fisher, for your thoughtful and generous engagement with my questions! I listened to Tea & Alchemy again this past week, and ‘cozy gothic’ is the perfect description for this story. I love when Harker and Mina sit together thinking, exchanging, and connecting as they unravel dark, mysterious happenings in their community–that emotional connection born of collaborative, intellectual problem solving tickles something for me. That they each see in the other a worthy humanity beyond society’s expectations and stereotypes gives me hope that we can all practice this open, empathic, kind, and generous approach to our fellow humans. The love that grows between them through honesty, vulnerability, and each wanting to protect and care for the other, further lifts and deepens the romantic energy of this story.

*See my own comments in response to Ms. Fisher’s answers below. I’m so grateful for this little interaction! Maybe I’ll be able to do this again with another author; I’ll start a list now.

1. What was most meaningful to you about this story–its inception, emergence, development, evolution, and publication? 

I think first it’s that I’ve always wanted to write a vampire novel, but I never very seriously entertained the idea because I wasn’t sure how I could make it feel fresh. Then one day it struck me that simply framing it in my own voice and brand would result in a unique story.* A cozy vampire tale packaged in folklore, cottage witch vibes, and Victorian themes. And it meant the world to me that my publisher believed in me enough to let me have a go at it! 

I’m also a huge Daphne Du Maurier fan and have for a long time wanted to set a book in Cornwall. When I visited there a few years ago, Roche Rock struck me as the perfect setting, and its history and gothic broodiness contributed so much to the story’s development.

2. What thread, if any, wends through your writing? Or, how would a reader recognize your work from its nature? 

I’ve always loved including fairy and folklore, cozy elements, and gothic drama. And below the surface of that, I find it so interesting to use the Victorian setting to show women who were very much constrained by society growing into their strength, voice, and truth. And part of that comes through the romance, because my male main characters always support and encourage this growth.**

In the past I have written bigger stories, including a fairly epic fae series set in Victorian Ireland (The Faery Rehistory). But I am very much enjoying this smaller-story niche, and how it allows me to really focus on character.   

3. What empathy do you feel for the various characters in this story? What are your greatest wishes for them? 

The women in my stories often start out doubting themselves, and not truly understanding that their gifts are worthy and needed in the world. I have grappled with this myself in my writing career. I have felt at times that I’m not good enough, or that it’s no more than a self-indulgent hobby. As my books have found more readers, I’ve begun to see how much stories can mean to people, and how people can be comforted and even healed by them. As a reader myself, I know this, of course! But imposter syndrome can really mess with your head.

I write love stories, so of course I wish my female main characters to find men who see them and value them and adore them. Men who help heal them and whom they help heal in return. But I also wish them to find purpose in life and learn to believe in themselves. 

Reading back over this, I realize I slightly misread the question and answered more generally, but I think it does apply to Tea & Alchemy. Also, that book in particular was about healing, and what I wished for both Mina and Harker was for their love to be a balm for their deep pain, and to move them both out of their “stuckness.”***

4. What do you most want to share about this story; what do you wish most for readers/listeners to get from it? 5. Anything else you’d love to share about this story?

I think only that it was a joy writing it. Creating stories always begins as a curiosity journey for me. I do a lot of research, and finding little bits that help me define my characters (like Harker’s alchemical theory about vampires) is akin to finding buried treasure. For my readers, I hope the stories will pique their curiosity, too. I hope they will feel they’ve gone on a worthwhile journey. One that reminded them to believe in themselves, to be their own champions, and to love. And especially at this time, one that brings comfort. That feels like a hug.xo

Sharon Lynn Fisher
TEA & ALCHEMY 
SALT & BROOM
GRIMM CURIOSITIES
sharonlynnfisher.com
instagram.com/sharonlynnfisherauthor
substack.com/@sharonlynnfisher

*OH I feel this. As a conventionally trained internist I have often felt constrained and unremarkable in my medical practice from an early stage. Every time I have allowed myself authentic expression, without sacrificing professionalism, the rewards are clear and fulfilling: deeper understanding and connection with patients, and broader learning and reinforcement that everything is connected and we are healthiest when our relationships thrive.

**I think this is something I also appreciate about historical romance, and it applies now. Society today still sets implicit expectations and norms for both genders, and navigating them as mutual allies makes it easier for us all. Regency and Victorian romance heroes use their money and influence to validate and elevate their heroines’ talents, voices, and contributions. Isn’t this what we all wish for modern day men in power to do for women and other marginalilzed groups? The active, loving allyship in these stories gives me hope.

***YES! Both main characters bear their deep, respective loneliness with courage and some stoicism, and find their ways to each other similarly. The cautious yet compelling emergence of their abiding love speaks, to me, of their intuitive mutual empathy and understanding of that innate human need for connection, something that they both long for but had all but lost hope of finding. That they find it in each other is just the sweetest gratification.

xo Yes, a hug, definitely. Thank you so much.

April 8, 2026, Instagram
My review on Audible

Love Is Love

Something Extraordinary, Alexis Hall

Happy Pride Month, friends!

Sharing tonight my review of Something Extraordinary by Alexis Hall, because once again I sit both enthralled and hung over, re-listening to (reliving!) my favorite passages while marking up the hastily obtained print copy, playing or quoting lines to Daughter because I just cannot help myself, I love it so much.

Posted to Audible:
“Wild, hilarious, heartwarming ride of love in all its forms!
“Love is love and it SAVES US. Human connection in any context, often despite our most counter-connecting behaviors, is so much more possible than we think! Not with everybody, but with far more folks than we assume, if we only keep our hearts open and vulnerable enough to risk it. That is what this book reminds me.
I cannot count the number of times I went from brow-furrowingly sad empathy to laughing out loud to clipping a passage for further philosophical consideration, all in the space of a few minutes. Have already quoted, described, and recommended this story to anyone who crossed my path this week.
Ell Potter and Steve West perform all of the characters with distinction and grace, and their voices for the supporting characters even match, making the listening experience that much more delightful. I forwent sleep and life tasks for this audiobook, for the integrated marvel of this story brought forth by the author and voice actors. God bless ‘em.”

Shared on Instagram to both Shaneiaks and my personal account

This is the third book of Hall’s Something Fabulous series. I listened to a long preview of Book One, Something Fabulous, which I did not go on to finish, and I only read the overview of Book Two, Something Spectacular. I think they are not meant to be standalone novels, but I did not feel lost in the least picking up the series at the end. The main characters’ personalities and relationship are clearly established in advance, yet develop and deepen meaningfully throughout this story.

As in Never After, Hall explores sexuality and the social norms that constrain it with depth, compassion, and stark honesty about our capacity for both generous, loving acceptance and rigid, shaming rejection of our fellow humans. The characters’ clever banter, as well as their touching dialogues, both inner and exchanged, bring reader/listener to a much deeper level of empathy and tender, gentle human awareness than most romances I come across. The writing is both subtle and blatant in turn, and lyrical as ever (see below for some choice exerpts).

Human relationships are messy and complex in any context. Holding, honoring, and then navigating the consequences of natural yet unconventional preferences and desires in the face of punishing social pressures is something many of us may not live first hand. Hall’s books generously, humorously, and lovingly provide us with a window into that experience, inviting us all to open our minds and hearts to our shared humanity no matter who we are and how we identify. The story reads deliciously long and languid, topsy turvy, hilarious and tearful, and leaves us wishing all our fellow humans to find love that provides safety, uplift, and peace. Witty, sparkling dialogue and an utterly whimsical plot hooked and enchanted me throughout. But the deeply humane, gentle yet assertive explorations of love, faith, world view, and reconciliation will keep me reflecting and seeking conversation with friends for weeks to come.

Please find my favorite quotes below, and beware the possiblitity of spoilers. I will enjoy these sections for a while yet, and dive deeper yet into Alexis Hall’s other worlds. I bet you’ll see more of their work shared here shortly.
Wishing all a lovely week ahead!

Audible review: 5 stars overall and for performance and story

“…He had wanted from her what he always wanted… what he had spent so many years hopelessly seeking in the bodies of strangers.
“Once upon a time, he would have called it love and asked no questions. But the word seemed bigger and smaller than he remembered–differently shaped and less perfectly fitting. No wonder, then, he thought ruefully, that he had been unable to find what he was looking for, if he hadn’t understood what it was. Perhaps that was why he’d always clung to those who did not want him–willing to do almost anything to ensure they didn’t become someone else who wouldn’t stay–when he should have paid more attention to those he’d let go.”

“There was something strange happening to Rufus’s heart. He normally conceived it as hard and gnarled, like a peach pit. Now it was as soft as the peach itself. ‘I… I’m flattered, Bellflower. I do not think anyone has ever felt jealous over me in my entire life.'”

[Belle] “…’If it is not acceptable for ladies to be coerced into sexual encounters, then it should not be acceptable for gentelmen, either.’
[Sir Horley/Rufus] “‘I don’t mind.’
“‘Don’t overwhelm me with your ardour or anything,’ muttered the highwaryman.
“Rufus glanced at him. ‘I’m sorry. Take me now, you scurrilous devil. Is that better?’
“‘A bit. But could you put more feeling into it?’

“… Strange how quickly you could grow accustomed to things. Even relatively inconsequential ones like sharing space. One would have thought, after long days in a carriage with Belle, he would want distance, not increased closeness. But she had awoken some brutal, terrifying hunger in him, and now he missed the certainty of her body tucked behind him…He missed being held… The cold feet she would plunge mercilessly between his knees as though she had the absolute right to his body heat.
“Since Belle had been shot, he had been clinging to anger like driftwood… until all that remained was fear.
“Particularly useless fear, even by the standards of that specific emotion, because it couldn’t change anything. It could only strike out of nowhere like a snake and fill him full of poison, for he could so easily have lost Belle today… Now, though, it just made him feel a kind of pre-emptive grief. For the possibility of a life he could still not truly picture, and would never have chosen, but which nevertheless gleamed richly with the promise of unimagined, undared contentment.”

[Discussing Memoirs of a Woman of Pleasure by John Cleland, a real novel from 1749]
[Belle] “‘Why was it banned, then?’
[Gil, the highwayman] “‘For the same reason most things are: fear and ignorance. In this case, I suspect it has something to do with the fact the book takes as axiomatic that women can be creatures of pleasure just as men can.’
[Belle] “‘And yet,’ she asked, ‘it is not worth reading?’
[Gil] “‘You may if you wish. It’s not really my place to decide for you. Though try not to, you know, fold the pages back or spill beans over it. Very few copies of this book are still in circulation.’
“‘Surely it will be unbanned sometime soon?’
“‘Surely,’ echoed Gil, though he did not sound very convinced on the matter.
“‘Well, the idea of a woman liking sex can’t remain so very shocking, can it? I expect we can figure that out in, say, less than a hundred and fifty years.’
“‘Oh please,’ Rufus swiped his had disdainfully through the air, as though dismissing the decades to come. ‘A hundred and fifty years to concede women are people? Give us two hundred and ten, and we will probably still be banning books and hating each other.’
[Gil] “‘I fear his cynicism is not wholly without merit. But… I shall nevertheless join you in hoping for better from posterity.'”

Recipe for Friendship

At Loba Pastry and Coffee in Chicago: “Honey ~Squiggle~ Things” and “Fancy (ask for flavor)” pastries. It doesn’t matter what you get here, friends. You simply cannot go wrong.

Happy 19th day of National Card and Letter Writing Month!
Happy 11th Anniversary to Healing Through Connection!
Happy 100K+ total views on this blog in these eleven years–and thank you to all the humans who have viewed, commented, and followed all this time!

Today’s NCLWM prompt is Recipe. What is your recipe for deep, meaningful friendship?

Last weekend I communed with Phara, Christine, Heather, and Grant.
This weekend it was Donna, Jacob, Amber, Kasey, Troy, and James.
Holy cow, I am the luckiest person in the world to know so many amazing people and have the privilege to call them friends.

Donna cut through months of circular rumination and clarified the core of my mental and emotional struggle with one particularly vexing patient relationship. She and Jacob both helped me solidify ideas, structure, and themes for Book. Amber taught me about her generation at work and what it means to be a software engineer. And Kasey, Troy, and James just filled my tank the way they always do–sitting at brunch with them today made me wonder about and attempt to articulate my own Recipe for Friendship:

Ingredients:
–1 frontal lobe for Openness – enough to be willing to meet someone new
–1 or more Shared Interests – things over which we bond, in which we can grow together
–Many scoops Attention – each to the other, for both verbal and nonverbal communication
–Open faucet Curiosity – consistent interest in learning more about each other
–Demonstrated Common Ethos – core values that hold up our integrity in relationship with self and one another
–Consistent and regular Effort – demonstration that the relationship is worth our energy to cultivate and maintain
–When possible, In Person Contact – can substitute phone and video when needed; best results when added regularly
–Measured, in-context Vulnerability – key for depth and meaning
–Heaps and loads and oodles Love; impossible to add too much
–Time – no substitute, the more the better
–Trust and Devotion- will develop with Time, the last ingredients that occur spontaneously and multiply themselves, like strong sourdough starter

Method:
–This recipe can be made in any setting or context, at any time.
–Carry the ingredients on your person–mind and heart–at all times, ready when the opportunity to cook up a new friendship arises.
–Ingredients above are listed in likely order of occurrence, though most can be added at any time and then repeatedly, ‘to taste,’ in cooking/cultivating process.
–Additional ingredients of your choice encouraged, to personalize and make your friendships special to you and your friends
–Keep multiple recipes going at all times, each at various stages of mixing, stirring, rising, preheating, shaping, baking, simmering, braising, aging, cooling, etc.
–Even projects that have been apparently inactive for long periods may be self-sustaining without loss of flavor or nutrients, depending on stage of cultivation.
–Once a recipe is well underway, however, it will likely require regular additions of at least Attention and Effort to succeed over Time, depending on proportions and mixtures of the other ingredients.

This is a staple recipe. I cook by feel; as this is my first attempt at articulating my method, it will likely evolve if I keep trying to capture it in words. Now that I think of it, I could use sourdough starter as the whole metaphor, no? Oh well, maybe another time.
Everybody should have their own favorite friendship recipe–or maybe multiple ones!–on hand, written or not, like figuratively sturdy, dog-eared index cards with evidence of repeated use–stains, wrinkles, folds, and tweaks written in small cursive, legible only to the owner.
The strongest and most successful recipes are likely to be shared, mixed, and matched for additional depth of essence, character, temper, etc.–we all know the best loved recipes last the longest–often for generations.

My deepest and brightest thanks too all the friends who brought this forth for me today.
Love you all.