How is everybody this fine August evening?

How is it August already!? *sigh* I hope we have all savored the summer (here in the Northern Hemisphere) and all it has to offer. There is just something about the longer, brighter days–I know there are myriad researched psychophysiologic effects, but I’m too lazy to look them up. Happy to just revel in them! Energy, activity, growth, flourishing–we humans are part of nature… Life occurs in seasons, and the lushness of summer blooms, the bees’ bumble-busy-ness, watching kids play joyously outside–it all just activates me, makes me frankly elated.

So today I got particularly excited thinking about how women romance authors hold one another up. I have noticed it for a while, and it hit me anew this afternoon. Here’s the story:

Shane East has joined the Creator crew over on Quinn, ‘the app for audio erotica.’ [To read more about this relatively new medium and its social value, see this article from the New York Times and a brief interview with Quinn founder and CEO Caroline Spiegel.] He joins other well known romance narrators on the site such as John York and Zachary Webber. The short form stories are apparently extremely spicy, and people love them. Scripts for the audios vary in origin, written by the voice actors themselves (men, women, and nonbinary folks), established romance authors, and fans alike. Not every piece is explicitly credited.

Shane’s debut on Quinn has been widely anticipated and very well received: As of this writing, about 60 hours out, his first audio has garnered over 4100 plays and almost 800 subscribers. Amidst the deluge of praise, I happened to catch an Instagram story posted by romance author Elodie Hart, acknowledging her good friend Holly June Smith for writing Shane’s inaugural script. It struck me again how often this happens in the romance world.

I see authors regularly promote one another’s work in their weekly newsletters and social media accounts. These magnanimous women include Sara Madderson, Nana Malone (who also co-founded Audio in Color, a non-profit dedicated to increasing diversity and representation in the romance and audiobook industry), Marni Mann, Sierra Simone, Lauren Smith, and Lili Valente. They post about how they collaborate, commune, and just have fun creating together. How wonderful! How generous, loving, and mutually beneficial! Is there any other profession where this happens so commonly?

I think about athletes, thought leaders… It always makes me happy to see blended teams play together in Olympic and All-Star games. Simon Sinek directly addresses his rivalry with Adam Grant in his book The Infinite Game. He frames this competitive relationship positively, as it drives his own professional excellence. In academic research, where resources are limited and science moves quickly, the culture is the opposite of collaborative and mutually admiring–‘cut throat’ is often the prevailing attitude.

Is there no sense of competition in romance writing? I have no idea. I just notice the love of women holding up other women.

I have written before about allyship, especially men of women. Shane East consistently upholds and amplifies his female colleagues, and continues to do so on this new platform.
How would it be if we all amplified one another, in humility and generosity, regardless of gender? Is that realistic? There are still so many gender-based power and status dyamics in multiple (most? all?) domains of human relationship… And yet, we can’t know how social norms will change unless we challenge them, right? Romance and erotica still make a lot of folks very uncomfortable; hence the heavily guarded anonymity of some creators. I understand and respect this; I feel minimal urgency to change it, because I see the tide turning, accelerating toward mainstream cultural sex positivity every year. In my mind, this makes gender parity more likely in the far future. Every little step counts. I know this is just my own perspective, having immersed in the romance world only recently. Maybe that’s why I feel compelled to write about it often, to express my own solidarity and allyship with the progress of sexual and relational freedom for all.

Challenging the status quo does not have to be adversarial, or even direct. Romance novels don’t change social policy. I don’t imagine it’s many authors’ primary objective to activate readers and listeners to lobby Congress or protest in the streets. As throughout history, fiction illuminates humanity and speaks, however quietly yet forcefully, to our very souls. It moves us, sometimes ineffably and other times powerfully, to examine and act. Social change happens in drifts and then shifts, slow and then fast, with forward and backward steps, on a long, jagged arc toward acceptance and inclusion. Human relationships are more complex now than before, and also fundamentally unchanged: we are all here to love one another and help us all live our best lives.

I never would have guessed that my whimsical romance obsession would yield deep and divergent thought and personal evolution. The friendships, the discussions, the self-discovery and intricate connections to shared humanity—it has all been just such a gift, I get goose bumps.

As we enter this last stretch of summer sun and warmth, I sincerely wish for us all to notice humans treating other humans well. It’s okay to feel cynical about humanity, even most of the time. But let’s not allow this to close us off to opportunities for connection when they occur. In fact, I encourage us to actively seek those opportunities–I promise, they are everywhere.