Cozy Gothic Humanity: Tea & Alchemy by Sharon Lynn Fisher

Tea & Alchemy, Sharon Lynn Fisher (Instagram)

From last week’s post:
I hope to write here soon about Tea & Alchemy by Sharon Lynn Fisher. Another Shane East performance with Marisa Calin (they also narrate Kerri Maniscalco’s Prince of Sin series–“Think Bridgerton in Hell”–also among my favorites, see 31. Throne of Nighmares), this slow burn, low spice, heartwarming love story between a reclusive, benevolent ‘alchemist’ and a budding tea leaf reader points to all the ways we humans reject and harm one another by default, and how we can choose openness, generosity, kindness, and compassion to overcome those destructive tendencies and make a better world. I have connected with Sharon Lynn Fisher herself, and hope to interview her about the story’s inception and evolution, and what she wishes for the characters and us readers from it.


Thank you, Ms. Fisher, for your thoughtful and generous engagement with my questions! I listened to Tea & Alchemy again this past week, and ‘cozy gothic’ is the perfect description for this story. I love when Harker and Mina sit together thinking, exchanging, and connecting as they unravel dark, mysterious happenings in their community–that emotional connection born of collaborative, intellectual problem solving tickles something for me. That they each see in the other a worthy humanity beyond society’s expectations and stereotypes gives me hope that we can all practice this open, empathic, kind, and generous approach to our fellow humans. The love that grows between them through honesty, vulnerability, and each wanting to protect and care for the other, further lifts and deepens the romantic energy of this story.

*See my own comments in response to Ms. Fisher’s answers below. I’m so grateful for this little interaction! Maybe I’ll be able to do this again with another author; I’ll start a list now.

1. What was most meaningful to you about this story–its inception, emergence, development, evolution, and publication? 

I think first it’s that I’ve always wanted to write a vampire novel, but I never very seriously entertained the idea because I wasn’t sure how I could make it feel fresh. Then one day it struck me that simply framing it in my own voice and brand would result in a unique story.* A cozy vampire tale packaged in folklore, cottage witch vibes, and Victorian themes. And it meant the world to me that my publisher believed in me enough to let me have a go at it! 

I’m also a huge Daphne Du Maurier fan and have for a long time wanted to set a book in Cornwall. When I visited there a few years ago, Roche Rock struck me as the perfect setting, and its history and gothic broodiness contributed so much to the story’s development.

2. What thread, if any, wends through your writing? Or, how would a reader recognize your work from its nature? 

I’ve always loved including fairy and folklore, cozy elements, and gothic drama. And below the surface of that, I find it so interesting to use the Victorian setting to show women who were very much constrained by society growing into their strength, voice, and truth. And part of that comes through the romance, because my male main characters always support and encourage this growth.**

In the past I have written bigger stories, including a fairly epic fae series set in Victorian Ireland (The Faery Rehistory). But I am very much enjoying this smaller-story niche, and how it allows me to really focus on character.   

3. What empathy do you feel for the various characters in this story? What are your greatest wishes for them? 

The women in my stories often start out doubting themselves, and not truly understanding that their gifts are worthy and needed in the world. I have grappled with this myself in my writing career. I have felt at times that I’m not good enough, or that it’s no more than a self-indulgent hobby. As my books have found more readers, I’ve begun to see how much stories can mean to people, and how people can be comforted and even healed by them. As a reader myself, I know this, of course! But imposter syndrome can really mess with your head.

I write love stories, so of course I wish my female main characters to find men who see them and value them and adore them. Men who help heal them and whom they help heal in return. But I also wish them to find purpose in life and learn to believe in themselves. 

Reading back over this, I realize I slightly misread the question and answered more generally, but I think it does apply to Tea & Alchemy. Also, that book in particular was about healing, and what I wished for both Mina and Harker was for their love to be a balm for their deep pain, and to move them both out of their “stuckness.”***

4. What do you most want to share about this story; what do you wish most for readers/listeners to get from it? 5. Anything else you’d love to share about this story?

I think only that it was a joy writing it. Creating stories always begins as a curiosity journey for me. I do a lot of research, and finding little bits that help me define my characters (like Harker’s alchemical theory about vampires) is akin to finding buried treasure. For my readers, I hope the stories will pique their curiosity, too. I hope they will feel they’ve gone on a worthwhile journey. One that reminded them to believe in themselves, to be their own champions, and to love. And especially at this time, one that brings comfort. That feels like a hug.xo

Sharon Lynn Fisher
TEA & ALCHEMY 
SALT & BROOM
GRIMM CURIOSITIES
sharonlynnfisher.com
instagram.com/sharonlynnfisherauthor
substack.com/@sharonlynnfisher

*OH I feel this. As a conventionally trained internist I have often felt constrained and unremarkable in my medical practice from an early stage. Every time I have allowed myself authentic expression, without sacrificing professionalism, the rewards are clear and fulfilling: deeper understanding and connection with patients, and broader learning and reinforcement that everything is connected and we are healthiest when our relationships thrive.

**I think this is something I also appreciate about historical romance, and it applies now. Society today still sets implicit expectations and norms for both genders, and navigating them as mutual allies makes it easier for us all. Regency and Victorian romance heroes use their money and influence to validate and elevate their heroines’ talents, voices, and contributions. Isn’t this what we all wish for modern day men in power to do for women and other marginalilzed groups? The active, loving allyship in these stories gives me hope.

***YES! Both main characters bear their deep, respective loneliness with courage and some stoicism, and find their ways to each other similarly. The cautious yet compelling emergence of their abiding love speaks, to me, of their intuitive mutual empathy and understanding of that innate human need for connection, something that they both long for but had all but lost hope of finding. That they find it in each other is just the sweetest gratification.

xo Yes, a hug, definitely. Thank you so much.

April 8, 2026, Instagram
My review on Audible

Reconciliation

“There’s no getting around anything,” Tyler says… “There’s only getting through things… I had to shine a light into very dark corners and just look, just see. See myself, and all the ways fear and guilt had trapped me. And I came to understand something while I was going through it. To be fully human is to be fully sexual. And while that doesn’t mean having sex, or even sexual desire, it does mean being fully in your body. It means recognizing that there is nothing any less holy about your body than there is about your soul. That as long as your body is treated with consent and respect and affection, and that you treat the bodies of others in the same way, there’s nothing inherently sinful about your flesh, about its desires or lack of desires, about what it does or does not do. You do not have the ability to tarnish her or yourself. That right isn’t given to any mortal person. She’ll be no more or less holy for sex. The same goes for the lack of it… Abstinence is asked of everyone at some point in their lives. Maybe a partner is not emotionally ready for sex. Or maybe they temporarily aren’t able… And for some people celibacy is not a struggle, just like fasting isn’t the same struggle for everyone, or giving up money or giving up spare time, or giving up sleeping in late, or, or, or… A life consecrated to God is a life where you give up personal desires to serve God instead. And there’s nothing more or less special about celibacy than there is about poverty, or seclusion, or sleep. And… it’s not always easy to discern God’s desires for us, because he or she wants us to be fully human and love each other as fully human, and that takes as many different forms as can be imagined… No way is any holier than another. Because our bodies are holy no matter what, and our lives are holy no matter what. Monasticism and lay life are just different ways of loving the same god and showing his love to the world.”
–Tyler Bell, Sinner by Sierra Simone

How wonderful when a passage from one book so validates and reinforces the themes and threads of another? And how fascinating to find myself so lost for words to express the profound effect a book has had on me?

Never After by Alexis Hall

I came to this book, of course, through Shane East/Steve West. As soon as he said it’s one of his favorite emotional reads of the year to date, I knew I was in for something special. I listened, purchased a print copy halfway through, then listened again in tandem with reading, toggling back and forth. I have never marked up a novel like this before, and rarely used this many book darts for one volume. It’s my first novel by Alexis Hall, and will not be the last. The way he engages with readers, her openness and directness in their expressions about the world and us humans, and how s/he writes this story–I feel I have found yet another of my people in the love of all of humanity.

This story of male-male romantic love is so tender, so devoted, so tragically loving, so human. The caring and compassion Hall brings to these characters reminds me so much of Sierra Simone‘s reverence for both the deep faith one can have in the divine and all of love’s manifestations in humanity, even as supposed representatives and rhetoric of said divine in organized religion mortally condemn exactly some of these universally human expressions, in works like Sanguine and the Priest Collection.

Such thoughtful and poignant ethical and moral reconciliation through literature, the journey of empathy and compassion, understanding and reverence of and fidelity to our core humanity, is always what moves me most in any story. Looking back, it is exactly this thread that runs through the books I recommend most:
Beastly Beauty by Jennifer Donnelly
Never the Roses by Jennifer K Lambert
The Crowns Trilogy by Nicola Tyche
To Bless the Space Between Us by John O’Donohue

These books give me hope for bridging our ideological and political differences around sexual orientation, gender, and all other divergent and/or conflicted arguments about expressions of self and how we each/all choose to present in the world. It is our shared humanity, our capacity for curiosity and openness to the ‘other’, that will save us from causing one another the gravest harm, the deepest trauma, from destroying ourselves collectively. Literature like this humanizes us from the backs of our brains, where our deepest and most meaningful connections to one another live, if we allow ourselves to embrace the characters and empathize with their stories, because they could be any of us.

This historical love story between two complicated men, Thomas an Anglican priest and Micha an opium-addicted prostitute, accompanied by their friend Sheba, a former prostitute and single mother, “is tragically compelling from the start, paced such that we feel every nuance of emotion and plot with wrenching saturation,” I wrote on a Shaneiaks Instagram post.
“Such lyrical and poignant writing, a wrenching and real, unvarnished and eloquent portrayal of the best and worst of us,” I commented on Shane’s Insta.
“Lyrically written with emotional depth that captures one’s heart from the outset, breaking and bandaging, transforming us repeatedly alongside the characters. I listened, then listened again while reading, each pass a deeper and more moving journey. Every page is marked up. Steve West’s incredible care and devotion to the story and his craft shine through yet again, bringing all the characters, including the supporting cast, to life such that we cannot help but love them, in all their broken and imperfect humanity. Keep the tissues close.” –My review on Aubible. So I guess I mustered some words here and there.

Below the next graphic, I list the topics and concepts that stand out in this story. Below that, I have copied the most outstanding exerpts from the book to me–the ones I reread because they lift me in hope and connection. Read at your own risk–they may turn out to be spoilers.

My highest dream for this post is to bring readers and listeners to this story who might have otherwise rejected it. I wish to gently nudge a door open that someone may have thought permanently locked, to invite them (you?) to consider a perspective (or multiple) previously assumed to lie beyond understanding. This story is worthy of our time, our openness, and our reverent, thoughtful contemplation. Thank heavens for authors like Alexis Hall, Sierra Simone, and others, and for performers like Shane/Steve, who bring these stories to life in our ears and hearts, so we may connect on multiple, overlapping levels of consciousness.

May we all tread a little more lightly on one another’s souls, my friends. We are all healing from something.

Homosexuality
Prostitution
Addiction
Religion
Social norms and expectations
Duty
Suicide
War trauma
Community
Self-acceptance
Devotion
Commitment
Sacrifice
Reconciliation
Peace
Innocence
Honesty
Earnestness
Vulnerability
Courage

“Have I looked thus upon other men before? Not to my recollection but perhaps I deceive myself?… There are many who would hold the thinking, itself a sin–ill thought, the brother of ill deed, whether it is carnality or doubt that preoccupies the wayward, imperfect heart. But I cannot believe that. I believe it is freedom of thought and deed that lends validity to moral choice and action… But if we felt no struggle, if we resisted no temptation, of what worth would be our capitulation to moral law, To God’s love? For what benefit free will, if we have not the mind to exercise it?” –Thomas Mandeville

“…But these thoughts, these thoughts that many would call iniquity, come from some part of me that, though only freshly discovered, seems inviolable. How can I repent that which I know to be wrong, yet does not feel wrong? If I am made in God’s image, then surely he make this also?…But mine must necessarily be a limited understanding. Is there not some plan, as I have often claimed to others? Some deeper meaning? But oh, what is it? What is it? I can find no sense in this. And I cannot see the harm.” — Thomas

“...the time will come that he may want to leave–I dread it and anticipate it, with almost equal fervour. When he is gone, I will be free. I will no longer fear myself and my sins…But it does not feel like liberty. It feels like loss.” — Thomas

“If this was strange, Thomas had no way of to judge its strangeness. There was already too much for him to feel and think. Knowledge that he had always known to be forbidden, revealed to him, in all its beauty, like a vision of heaven itself. To be like this, with another man, crowned in falling leaves and sunlight, seemd a blessing beyond any earthly reckoning. His heart over-spilled on the loveliness of it, and happiness–pure and clear as water–ran through all his veins, as riotous as spring after the longest of winters.”

“‘Micha, you must believe me when I tell you I have not guilt for this. No shame. I cannot. I can only thank you, with all my heart and soul.’
“‘I have always tried to live in accordance with my profession. Until I met you, I did not even reailse I was made this way… And it has been quite the loneliest discovery I have ever made.’
“‘I felt so set apart. So lost. Knowing there was a part of me, an unchangeable part of me, that would make others hate me… But today you showed me it need not be so… I can’t begin to tell you how it feels to know you are as I am. And that you like me too.’
“‘How remarkable… that in the vastness of the world, we should find each other. Some benevolence must have guided us together.'” — Thomas

“‘ …I just feel so very blessed…’
“‘You. Being with you. Knowing I am not utterly alone. And feeling, for perhaps the first time in my life, truly myself.’
“‘… I’ve never felt so confident in the beauty and benevolence of the world, and its creator, but I suppose I must be very far from grace indeed, to be who I am, and do what I have done… I presume an answer will come to me in time…’
“‘Oh,… if only we could be married…’
“‘How could love ever be sinful, whatever form it took? So really our only wickedness is fornication. And that is only because we are denied an alternative.'” — Thomas

“‘Well,’ [Micha] returned softly, ‘now we’re both damned.’
“Thomas did not flinch, did not stop touching him. ‘No, my love, that was a sacrament, not a sin…’
“‘We are fashioned in His image, Micha. To love each other is the most intimate communion with Him…’
“‘It’s all connected. There is no shame in love.'” –Thomas

“‘You know,… the strange thing is that I feel closer to God than I ever have, in ways I would never have understood before we met. But I can’t remain a priest…’
“‘It wouldn’t feel right, attempting to guide others to the grace of God, when I would be seen as excluded from it.'” –Thomas

“‘I’m scared. It’s frightening, to be who we are, and want what we want. Even though it’s no fucking different to what they take for granted.'” –Michael (Micha) Dashford

“‘And yet,… if you have never known love, the love of your father, the love–as a parent–you will feel for your child, or even the love for a sweetheart or a spouse, how can you even begin to understand the love of God? A love that’s as gentle as it is strong, as tender and as intimate as a lover’s embrace, as warming and wonderful as that first sip of tea. It seems impossible to comprehend, but it’s the nature of love to be all these things, all these things and more, both in heaven and in earthly counterpoint… And that is what I wish to think about today. The miracle of love, in all its multiplicity.’
“‘The more I live, the more I love, the more I know that this is what I want. It’s what I pray for, above all else. Simply that I may grow in love… That loving Him, and loving the world, is mediated through the ways we love the people around us, as partners and parents and lovers and friends. All love flows together, from Him and to Him. The multiplicity of love keeps multiplying.'” –Thomas

“‘Nobody gets everything they want in life. We all pay prices, make choices, accumulate regrets. There will always be paths we didn’t, or couldn’t, take. But I fell in love with you. I wouldn’t change that, even if I could. Even for every other dream in my heart.’
“‘And your God?…’
“‘ My God made me. He’ll work it out.'” –Thomas

Live the Questions

What question, if any, have you asked/chased for years with no semblance of a coherent answer? How have you carried it? Where does it weigh on you, and what does this cost you in energy and other ways?

I attached the quote below by Rainer Maria Rilke in my last post of 2025, as part of ‘what’s on my mind.’ I asked Shane and AJ to read and reflect on it, and they both responded so kindly and generously. I have listened to each of their messages repeatedly and shared them with friends when the concept of patience with unanswered questions arises. Rilke was only in his thirties when he wrote these Letters to a Young Poet–I think Franz Xaver Kappus was in his twenties–and already such deep and wise understanding of his own and our shared humanity! The often quoted ‘live the questions’ part has resonated with me for many years, and now hearing the reflections of people I admire, then inviting others to listen and ponder together, I gain exponentially more. Of course!

I had said for a while about my inner work: “I have done all I can do with shovels; now I need drills.” Patterns of thought, emotion, and behavior that recur lifelong, not necessarily negative, but interesting and somewhat perplexing, poke at my consciousness. I just want to figure it out, to understand. So I engage with books, thearpy, coaches, and of course my wise and thoughtful, loving friends. I’ve learned and grown so much along the way, and yet the mysteries persist. I feel impatience, frustration, and wonder in turns.

But last week, listening to AJ’s response once again, Rilke’s words sank another layer deeper: Live the questions. Live my way into the answer some distant day. My last post discussed weeks of hamster wheeling and distress, wondering about myself and the other person, our relationship, the wierd feelings and my reactions. What if I had just held it all more loosely and lived those questions, rather than chasing answers? Could I have suffered a little less? Gotten to peace or epiphany sooner? Living the questions is a mindfulness practice. Be with what is, with neither judgment nor resistance. Flow with it; let it show me in its own time. I like that. I can practice it.

My mantras for presenting my authentic self saved me at the last minute before meeting that person again. I can now add ‘live the questions’ and maybe pull on it more effectively in real time. It can center and ground me in ‘the magic in the in between,’ as AJ says, to maintain openness, wonder, and curiosity ahead of anxiety and insecurity about my innermost mysteries. Because despite those particular unknowings, I actually know myself well. I have clarity about my values, goals, boundaries, and integrity. I have all the support I need from loved ones to help me process and hold me accountable to all of these. So I can relax, breathe deeply and slowly, keep walking, and trust myself.

What passages, pieces of art or music, or other things do you visit often, that continue to nourish your being and help you grow each time? Our favorite books, movies, songs, poems, paintings, photographs, etc–they do this for us, no? When we share them with others, our perspective grows yet wider, we live bigger, and even if we don’t arrive at answers, the questions get sweeter, I think. How wonderful. So let’s just keep living them.

Worpswede, near Bremen,
16th July, 1903.
Here, where a mighty land is about me, here I feel that no human being can answer for you those questions and feelings which have a life of their own in the depth of your heart, for even the best use words wrongly when they want to give them the most delicate and almost inexpressible meaning…
If you attach yourself to Nature, to the simple and small in her, which hardly anyone sees, but which can so unexpectedly turn into the great and the immeasurable, if you have this love for what is slight and try quite simply as a servant to win the confidence of what appears to you poor, then everything will become easier for you, more uniform and somehow more reconciling, not perhaps in the understanding, which holds back in amazement, but in your innermost consciousness, watchfulness and knowledge. You are so young, all beginning is so far in front of you, and I should like to beg you earnestly to have patience with all unsolved problems in your heart and to try to love the questions themselves like locked rooms, or books that are written in a foreign tongue. Do not search now for the answers, which cannot be given you, because you could not live them. That is the point, to live everything. Now you must live your problems. And perhaps gradually, without noticing it, you will live your way into the answer some distant day. Perhaps you actually have in you the possibility of moulding and shaping, as a particularly blessed and pure form of life; train yourself in it—but take what comes in complete trust, and, as long as it comes from your own will, from some need or other of your inner self, then take it for itself and hate nothing…
…All my good wishes are ready to accompany you, and my confidence is with you.
Yours,
RAINER MARIA RILKE.
Translated by K.W. Maurer
Letters to a Young Poet, Rainer Maria Rilke
Rilke, Rainer Maria. Letters to a Young Poet. Trans. K.W. Maurer. London: Langley & Sons. The Euston Press, N.W.I., 1943 (public domain) https://rilkepoetry.com/bibliography/